{"id":80,"date":"2015-09-28T23:10:30","date_gmt":"2015-09-28T23:10:30","guid":{"rendered":"http:\/\/www.mooncityreview.com\/?page_id=80"},"modified":"2026-04-15T00:42:27","modified_gmt":"2026-04-15T00:42:27","slug":"authors","status":"publish","type":"page","link":"http:\/\/www.mooncityreview.com\/?page_id=80","title":{"rendered":"Archives"},"content":{"rendered":"\n

Moon City Review 2026<\/em><\/h2>\n\n\n\n
\"\"<\/a>
The issue includes work by the following authors and artists:

R. Allen\u00a0Abshire, Liz\u00a0Ahl,\u00a0Molly\u00a0Akin,\u00a0Mario\u00a0Aliberto III,\u00a0Connor\u00a0Beeman, Rebecca Bernard, Caroline\u00a0Beuley,\u00a0Patricia Q.\u00a0Bidar, Mary\u00a0Biddinger, Laurie\u00a0Blauner, Ronda Piszk\u00a0Broatch, Polly\u00a0Buckingham, Mark Budman, Mary\u00a0Kovaleski\u00a0Byrnes, Luanne Castle, Kim\u00a0Chinquee, Grant\u00a0Clauser, Chella\u00a0Courington, JI\u00a0Daniels, Lynn Domina, Sean\u00a0Thomas\u00a0Dougherty, Lindsey Godfrey\u00a0Eccles, Nathan\u00a0Fako, Lauren\u00a0Fath, Blue\u00a0Fay, Gary\u00a0Fincke, Jeff\u00a0Friedman, Susan\u00a0Fuchtman, E.C.\u00a0Gannon, Scott\u00a0Garson, Aasiya Mirza\u00a0Glover, Jeremy\u00a0Griffin, Chelsea\u00a0Guo, Shivani\u00a0Gupta, Umma\u00a0Habiba, D.E.\u00a0Hardy, Jeff\u00a0Harvey, Quamrul\u00a0Hassan, Rachael\u00a0Hershon, Dennis\u00a0Hinrichsen, Shen Chen Hsieh, Sarah Lynn\u00a0Hurd, Brett\u00a0Hymel,\u00a0Jr., Olivia\u00a0Jacobson, Mitch\u00a0James, Dustin\u00a0King, Jessica\u00a0Klimesh, Ray\u00a0Kruger, Dell\u00a0Lemmon, Lindsay\u00a0Li, Svetlana Litvinchuk, Melissa Llanes Brownlee\u00a0, Cameron\u00a0MacKenzie, Erin\u00a0MacNair, Michael\u00a0Malan, Andrea\u00a0Marcusa, Andrew Graham\u00a0Martin, Victoria\u00a0Martynko, Nora\u00a0Maynard, Dan\u00a0McDermott, Cate\u00a0McGowan, Laura Leigh\u00a0Morris, Devan\u00a0Murphy, Will\u00a0Musgrove, Kurt\u00a0Olsson, Pamela\u00a0Painter, Cheryl\u00a0Pappas, Hayden\u00a0Park, Alan Michael Parker, Heather\u00a0Paul-Tillery, Ryan Pierce, Dan\u00a0Pinkerton, Susan\u00a0Blackwell\u00a0Ramsey, Eric\u00a0Rasmussen, nat\u00a0raum, August\u00a0Reid, Scott\u00a0Repass, Hanna\u00a0Reynditskiy, Trinity\u00a0Richardson, Emily\u00a0Rinkema, Michelle\u00a0Ross, Josh\u00a0Russell, Adrianna\u00a0Sanchez-Lopez, Naphisa\u00a0Senanarong, George\u00a0Singleton, James\u00a0Keith\u00a0Smith, Sarp\u00a0Sozdinler, Lana\u00a0Spendl, Jenny\u00a0Stalter, Alyssa McIntire Start, Mae Juniper\u00a0Stokes, Justine\u00a0Sweeney, Justin\u00a0Taroli, Alexandra\u00a0van de Kamp, C.\u00a0Zhang, Ruiyan\u00a0Zhu.<\/figcaption><\/figure>\n\n\n\n

Moon City Review 2025<\/em><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Fiction:<\/strong><\/p>\n\n\n\n

Abbie Barker<\/td>\u201cPast Encounters With My Future Selves\u201d<\/td><\/tr>
Andrew Bertaina<\/td>\u201cGravity\u2019s Death Throes\u201d<\/td><\/tr>
Jake Bienvenue<\/td>\u201cThe Good Sense to Fail\u201d<\/td><\/tr>
Sarah Boudreau<\/td>\u201cThe Other Coast\u201d<\/td><\/tr>
Brianna Di Monda<\/td>\u201cBone Garden\u201d<\/td><\/tr>
Matthew Duffus<\/td>\u201cHiatus\u201d<\/td><\/tr>
Claire Hero<\/td>\u201cIn a Stranger\u2019s House\u201d<\/td><\/tr>
Sydney Koeplin<\/td>\u201cThe Nose Thief\u201d<\/td><\/tr>
Melanie Pierce<\/td>\u201cMiddle of the Kaleidoscope\u201d<\/td><\/tr>
M.C. Schmidt<\/td>\u201cCube Ape\u201d<\/td><\/tr>
Jesse Strauss<\/td>\u201cHeather, Spinach, Lenore, Agatha\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Poetry:<\/strong><\/p>\n\n\n\n

Fez Avery<\/td>\u201cTo the Boy Who Wore One Diamond Earring and Tongued\u201d<\/td><\/tr>
Amy Ash<\/td>\u201cPhantom Limb\u201d<\/td><\/tr>
Laurel Benjamin<\/td>\u201cI See Your Ovary, She Said\u201d<\/td><\/tr>
Melissa Boston<\/td>\u201cNachtk\u00f6rper\u201d<\/td><\/tr>
Kevin Boyle<\/td>\u201cHome Is Where\u201d<\/td><\/tr>
Craig Buchner<\/td>\u201cThe Airport Never Leaves You\u201d<\/td><\/tr>
Grant Chemidlin<\/td>\u201cAt the Orgy\u201d<\/td><\/tr>
Grant Chemidlin<\/td>\u201cThe Third Shadow\u201d<\/td><\/tr>
Johnny Cordova<\/td>\u201cCousins\u201d<\/td><\/tr>
Daniel Coudriet<\/td>\u201cDocumentary\u201d<\/td><\/tr>
Jim Daniels<\/td>\u201cOne of the First in Our Class\u201d<\/td><\/tr>
Jonathan Everitt<\/td>\u201cAbandoned America\u201d<\/td><\/tr>
Jonathan Everitt<\/td>\u201cThe Vandal\u201d<\/td><\/tr>
Jacklin Farley<\/td>\u201cMy Mother Hates Meryl Streep\u201d<\/td><\/tr>
Zachary Forrest y Salazar<\/td>\u201cColumbo in Colombo\u201d<\/td><\/tr>
John Gallaher<\/td>\u201cCloud Mechanics\u201d<\/td><\/tr>
John Gallaher<\/td>\u201cDeath Calls Me Sexy\u201d<\/td><\/tr>
Evelyn Gill<\/td>\u201cNeovaginoplasty\u201d<\/td><\/tr>
Mikaela Hagen<\/td>\u201cI Am Worried About the Cat\u201d<\/td><\/tr>
Amorak Huey<\/td>\u201cwe are consumed by the ordinariness of our desire or whatever\u201d<\/td><\/tr>
Amorak Huey<\/td>\u201cWe Wake Each Day in This World We\u2019ve Made Together\u201d<\/td><\/tr>
Rachael Inciarte<\/td>\u201curban planning\u201d<\/td><\/tr>
Mickie Kennedy<\/td>\u201cHypocrisies\u201d<\/td><\/tr>
James King<\/td>\u201cCloseup of the Whale\u2019s Eye\u201d<\/td><\/tr>
Frances Klein<\/td>\u201cWhale Park\u201d<\/td><\/tr>
Angie Macri<\/td>\u201cThe Crystal in the Garden Had Imperfect Angles\u201d<\/td><\/tr>
Angie Macri<\/td>\u201cRelentless, the earth spun until its edges\u201d<\/td><\/tr>
Michael Meyerhofer<\/td>\u201cHome-Field Advantage\u201d<\/td><\/tr>
Jennifer Stewart Miller<\/td>\u201cDarwin\u2019s Finches\u201d<\/td><\/tr>
Richard Newman<\/td>\u201cDead Rat Song\u201d<\/td><\/tr>
Richard Newman<\/td>\u201cSuicide Forest\u201d<\/td><\/tr>
Rachel Marie Patterson<\/td>\u201cRedbud Equinox\u201d<\/td><\/tr>
Kimberly Ann Priest<\/td>\u201cPat\u2019s Foods IGA\u201d<\/td><\/tr>
Jordan Ranft<\/td>\u201cEmergency Room Meditation With Bag of Pistachios\u201d<\/td><\/tr>
Suzanne Manizza Roszak<\/td>\u201cAsked to Counsel Me in My Grief, the University Therapist\u201d<\/td><\/tr>
Sonya Schneider<\/td>\u201cPerfect, Except\u201d<\/td><\/tr>
Annie Schumacher<\/td>\u201cDemeter\u2019s Attic\u201d<\/td><\/tr>
Annie Schumacher<\/td>\u201cThe Mystics in Pittsburgh\u201d<\/td><\/tr>
Dara-Lyn Shrager<\/td>\u201cLockdown\u201d<\/td><\/tr>
Onna Solomon<\/td>\u201cThe Mother\u2019s Tale\u201d<\/td><\/tr>
Brooke Spalding<\/td>\u201cSonnet With a Husband\u201d<\/td><\/tr>
Gabriel Welsch<\/td>\u201cThe Night We Talked About the War\u201d<\/td><\/tr>
Wendy Wisner<\/td>\u201cLittle Children\u201d<\/td><\/tr>
Ellen June Wright<\/td>\u201cLaure: A Working Woman Like the Rest of Us\u201d<\/td><\/tr>
Ellen June Wright<\/td>\u201cLaure and the Ivory Bangle Lady\u201d<\/td><\/tr>
Claire Zhou<\/td>\u201cSelf-Portrait in Ocean Blues\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Flash Fiction:<\/strong><\/p>\n\n\n\n

Maureen Aitken<\/td>\u201cSummer Evening\u201d<\/td><\/tr>
Zack Bean<\/td>\u201cCharade\u201d<\/td><\/tr>
Kelli Short Borges<\/td>\u201cWhy Charlotte Had to Call Her Sister to Watch the Children so She Could Visit the Doctor as Her Husband Drank Whiskey and Gambled With the Boys at Handle-Bar J\u2019s\u201d<\/td><\/tr>
Timothy Boudreau<\/td>\u201cIf Pat Benatar Was My Mom, It\u2019d Be Over for You Assholes\u201d<\/td><\/tr>
Courtney Burton<\/td>\u201cPearl Harbor\u201d<\/td><\/tr>
Myna Chang<\/td>\u201cChangeling Bramble\u201d<\/td><\/tr>
Christine H. Chen<\/td>\u201cGrandma\u2019s World\u201d<\/td><\/tr>
Brad Clompus<\/td>\u201cBelieve What You Like\u201d<\/td><\/tr>
Julia Coursey<\/td>\u201ccommon ap rough draft (1)\u201d<\/td><\/tr>
Uyen Phuong Dang<\/td>\u201cCarnation Day\u201d<\/td><\/tr>
Madeline Graham<\/td>\u201cTurns Out Our Ropes Are Super Long and Complicated\u201d<\/td><\/tr>
L Mari Harris<\/td>\u201cGirls Howling, Keening, Clawing\u201d<\/td><\/tr>
Kathryn Kulpa<\/td>\u201cStrawberry Girls\u201d<\/td><\/tr>
Patience Mackarness<\/td>\u201cOld Houses Are Like That\u201d<\/td><\/tr>
Kim Magowan<\/td>\u201cBefore Germs, There Were Humors\u201d<\/td><\/tr>
Andrea Marcusa<\/td>\u201cPark Association\u2019s Boots and Petticoats Square Dance Party\u201d<\/td><\/tr>
Amy Marques<\/td>\u201cUnknown Rays\u201d<\/td><\/tr>
Adam McOmber<\/td>\u201cTypes of Houses\u201d<\/td><\/tr>
Claudia Monpere<\/td>\u201cBody Migration\u201d<\/td><\/tr>
Lynn Mundell<\/td>\u201cMadame Alexander\u201d<\/td><\/tr>
Lynn Mundell<\/td>\u201cStuffy\u201d<\/td><\/tr>
Tom Noyes<\/td>\u201cPatriarchy\u201d<\/td><\/tr>
Tom Noyes<\/td>\u201cRanch Hands\u201d<\/td><\/tr>
William Palomo<\/td>\u201cChepito\u2019s Favorite Funeral\u201d<\/td><\/tr>
Kelly Pedro<\/td>\u201cDrifting\u201d<\/td><\/tr>
Meg Pokrass<\/td>\u201cBonkers Reimagined\u201d<\/td><\/tr>
Kim Steutermann Rogers<\/td>\u201cThe Unraveling\u201d<\/td><\/tr>
Elizabeth Rosen<\/td>\u201cAn Intrusion of Cockroaches in the Philadelphia Museum of Fine Art\u201d<\/td><\/tr>
Karen Schauber<\/td>\u201cThe Dreamer\u201d<\/td><\/tr>
Dawn Tasaka Steffler<\/td>\u201cLepidoptera\u201d<\/td><\/tr>
Brendan Todt<\/td>\u201cSarah cares for her feet\u201d<\/td><\/tr>
Brendan Todt<\/td>\u201cSarah carried the dead bird to the garbage\u201d<\/td><\/tr>
Erin Vachon<\/td>\u201cCourting Rituals\u201d<\/td><\/tr>
Nora Wagner<\/td>\u201cInto This World\u201d<\/td><\/tr>
Wendy Wallace<\/td>\u201cIt\u2019s Over But You Still Need to Eat\u201d<\/td><\/tr>
Katie Ward<\/td>\u201cHow To\u201d<\/td><\/tr>
Vallie Lynn Watson<\/td>\u201cThe Lonely House\u201d<\/td><\/tr>
Rachel Weinhaus<\/td>\u201cThat\u2019s All the Time That We Have\u201d<\/td><\/tr>
Nathan Willis<\/td>\u201cStarring Julianne Moore\u201d<\/td><\/tr>
Allison Wyss<\/td>\u201cPothos\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Nonfiction:<\/strong><\/p>\n\n\n\n

MB Barker<\/td>\u201cVines\u201d<\/td><\/tr>
Kristin R. Crocker<\/td>\u201cTalk About Not Talking\u201d<\/td><\/tr>
Will Gibbons<\/td>\u201cBut They\u2019re My Feet\u201d<\/td><\/tr>
Matthew Pitt<\/td>\u201cA Course of Communion\u201d<\/td><\/tr>
William Torrey<\/td>\u201cHow It Feels to Be There\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Moon City Review 2024<\/em><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Fiction:<\/strong><\/p>\n\n\n\n

Shreya Fadia<\/td>\u201cTeam Spirit\u201d<\/td><\/tr>
Summer Hammond<\/td>\u201c(I Won\u2019t Know, Until Later)\u201d<\/td><\/tr>
John Jodzio<\/td>\u201cHot Ghost\u201d<\/td><\/tr>
Evelyn Maguire<\/td>\u201cPrimordial Juice\u201d<\/td><\/tr>
Quentin Parker<\/td>\u201cBoiling Point\u201d<\/td><\/tr>
Jason Peck<\/td>\u201cThe Juggernaut Enters the Ring\u201d<\/td><\/tr>
B. Luke Wilson<\/td>\u201cThe Wolves of Chernobyl\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Poetry:<\/strong><\/p>\n\n\n\n

Katy Aisenberg<\/td>\u201cRat\u201d<\/td><\/tr>
Michael Brasier<\/td>\u201cThe Air Burns When I Breathe\u201d<\/td><\/tr>
Daniel Brennan<\/td>\u201cPleasure as a Self-Fulfilling Prophecy\u201d<\/td><\/tr>
Kevin Carollo<\/td>\u201cGoat\u2019s Head Soup\u201d<\/td><\/tr>
Kevin Carollo<\/td>\u201cLease Help\u201d<\/td><\/tr>
Christopher Citro<\/td>\u201cHaving Grown Inland I Can Make of Boats What I Wish\u201d<\/td><\/tr>
Marisa P. Clark<\/td>\u201c\u2019The Beautiful Ones\u2019: Hattiesburg, 1986\u201d<\/td><\/tr>
Maureen Clark<\/td>\u201cTen Coins\u201d<\/td><\/tr>
Daphne Daugherty<\/td>\u201cConjure\u201d<\/td><\/tr>
Daphne Daugherty<\/td>\u201cThe Day the Two Dogs Killed the Second Chicken, My Father Took Them for a Walk in the Woods.\u201d<\/td><\/tr>
Benjamin Davis<\/td>\u201cThe Fourth of July for Beginners\u201d<\/td><\/tr>
Cat Dixon<\/td>\u201cFor Carolyn\u201d<\/td><\/tr>
Lynn Domina<\/td>\u201cTheft\u201d<\/td><\/tr>
Denise Duhamel<\/td>\u201cCrawling\u201d<\/td><\/tr>
Denise Duhamel<\/td>\u201cJim\u201d<\/td><\/tr>
Jordan Escobar<\/td>\u201cPack Animals\u201d<\/td><\/tr>
Jessica Goodfellow<\/td>\u201cSounds in the Dark\u201d<\/td><\/tr>
Benjamin S. Grossberg<\/td>\u201cPillow Talk With My Octopus Lover\u201d<\/td><\/tr>
Matt Gulley<\/td>\u201cCigarette Break\u201d<\/td><\/tr>
Marcy Rae Henry<\/td>\u201cthe mammal that has the longest orgasm\u201d<\/td><\/tr>
Marci Rae Johnson<\/td>\u201cExodus\u201d<\/td><\/tr>
Marci Rae Johnson<\/td>\u201cLitany for the Garden and Its Departed Bamboo\u201d<\/td><\/tr>
Stephen Lackaye<\/td>\u201cThe Beast Is Dead and We Have Built a City in Its Ribs\u201d<\/td><\/tr>
Nicole Markert<\/td>\u201cAutocorrect Changes \u2018I\u2019m Yelling\u2019 to \u2018I\u2019m Yellowing\u2019\u201d<\/td><\/tr>
Nathan D. Metz<\/td>\u201cIn Some Lights\u201d<\/td><\/tr>
Richard Newman<\/td>\u201cThree Little Backyard Songs\u201d<\/td><\/tr>
Derek N. Otsuji<\/td>\u201cTelescoping View of the Last Hawaiian Tree Snail Consumed by Ridge Fire\u201d<\/td><\/tr>
Jeremy Radin<\/td>\u201cDonkey Beauty\u201d<\/td><\/tr>
Jeremy Radin<\/td>\u201cThe Mountain\u201d<\/td><\/tr>
Autumn Schraufnagel<\/td>\u201cCoral Summers\u201d<\/td><\/tr>
Autumn Schraufnagel<\/td>\u201cJoanne\u2019s Summer\u201d<\/td><\/tr>
Leland Seese<\/td>\u201cin our twenties\u201d<\/td><\/tr>
Shyla Shehan<\/td>\u201cShe Paid No Mind\u201d<\/td><\/tr>
Mary Simmons<\/td>\u201cLittle Red\u201d<\/td><\/tr>
Brian Simoneau<\/td>\u201cIn My Latest Dream of Freddie Mercury\u201d<\/td><\/tr>
Brian Simoneau<\/td>\u201cJoke Without a Punchline\u201d<\/td><\/tr>
Dane Slutzky<\/td>\u201cAesthetics\u201d<\/td><\/tr>
Dane Slutzky<\/td>\u201cFortune\u201d<\/td><\/tr>
Laura Lee Washburn<\/td>\u201cRemedy\u201d<\/td><\/tr>
Patrick Wilcox<\/td>\u201cLook! The Scrawny Kid Is Crying Again\u201d<\/td><\/tr>
Kenton K. Yee<\/td>\u201cMy God, It\u2019s Full of Astronomers\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Flash Fiction:<\/strong><\/p>\n\n\n\n

Mikki Aronoff<\/td>\u201cBlue Pieces of Sky\u201d<\/td><\/tr>
Mikki Aronoff<\/td>\u201cHow They Could Kick Us\u201d<\/td><\/tr>
Matt Barrett<\/td>\u201cThief\u201d<\/td><\/tr>
Patricia Q. Bidar<\/td>\u201cAre You Experienced?\u201d<\/td><\/tr>
Audra Kerr Brown<\/td>\u201cHow to Bake a Cake in Outer Space\u201d<\/td><\/tr>
Melissa Llanes Brownlee<\/td>\u201cRegret\u201d<\/td><\/tr>
Avitus B. Carle<\/td>\u201cClose: A Father\/Daughter Breakup Defined\u201d<\/td><\/tr>
Avitus B. Carle<\/td>\u201cSeaworthy\u201d<\/td><\/tr>
Chloe N. Clark<\/td>\u201cMovement of Constellations\u201d<\/td><\/tr>
Lori D\u2019Angelo<\/td>\u201cLift Me Up, Drag Me Down\u201d<\/td><\/tr>
Coby-Dillon English<\/td>\u201cThe Fox Skull Trio\u201d<\/td><\/tr>
Gary Fincke<\/td>\u201cIQ Test\u201d<\/td><\/tr>
Gabrielle Griffis<\/td>\u201cBeneath the Locust\u201d<\/td><\/tr>
Mary Grimm<\/td>\u201cDead Boyfriends\u201d<\/td><\/tr>
Dustin M. Hoffman<\/td>\u201cBartleby\u2019s Resume\u201d<\/td><\/tr>
Ruth Joffre<\/td>\u201cA Girl Gets Lost\u201d<\/td><\/tr>
Ruth Joffre<\/td>\u201cA Girl Next Door\u201d<\/td><\/tr>
Alex Juffer<\/td>\u201cStars So Close You Could Hit One With a Prayer\u201d<\/td><\/tr>
Blair Lee<\/td>\u201cColony\u201d<\/td><\/tr>
Eliot Li<\/td>\u201cThe Sock\u201d<\/td><\/tr>
Abby Manzella<\/td>\u201cCastoffs\u201d<\/td><\/tr>
Abby Manzella<\/td>\u201cThe Puzzle Piece\u201d<\/td><\/tr>
Laurie Marshall<\/td>\u201cThe Geology of Grief\u201d<\/td><\/tr>
Ross McMeekin<\/td>\u201cTheater\u201d<\/td><\/tr>
Will Musgrove<\/td>\u201cNo Pickles\u201d<\/td><\/tr>
Aimee Parkison<\/td>\u201cThe Story of Jane\u201d<\/td><\/tr>
Megan Paslawski<\/td>\u201cMy Own Private Villa Diodati\u201d<\/td><\/tr>
Meghan Phillips<\/td>\u201cIn the Town Where the Final Girl Lives (Interlude)\u201d<\/td><\/tr>
Keith J. Powell<\/td>\u201cMysterious Teeth\u201d<\/td><\/tr>
Austin Sanchez-Moran<\/td>\u201cDevouring an Angel\u201d<\/td><\/tr>
Sarah L. Sassone<\/td>\u201cThe Matriarch\u201d<\/td><\/tr>
Kathryn Silver-Hajo<\/td>\u201cBedtime at the Co-Ed, Company-Wide, Team-Building, Social-Bonding, Mosquito-Buzzing, Rain-Sogging Camping Trip in the Woods\u201d<\/td><\/tr>
Jenny Stalter<\/td>\u201cBeginnings\u201d<\/td><\/tr>
Andrew Stancek<\/td>\u201cThe Last Bird\u201d<\/td><\/tr>
Kevin Sterne<\/td>\u201cThere\u2019s Nothing Tall in Illinois\u201d<\/td><\/tr>
Thea Swanson<\/td>\u201cHoney Buzzard\u201d<\/td><\/tr>
Anita Vijayakumar<\/td>\u201cConnecting at the Clinic\u201d<\/td><\/tr>
Francine Witte<\/td>\u201cThe Day Is a Diamond\u201d<\/td><\/tr>
Kirby Wright<\/td>\u201cThe Widow Hunts\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Nonfiction:<\/strong><\/p>\n\n\n\n

JW Burns<\/td>\u201cIn Search of Lost Country Vegetables\u201d<\/td><\/tr>
Michael Hardin<\/td>\u201cBurying My Grandfather\u201d<\/td><\/tr>
Michael Hardin<\/td>\u201cFree Piano\u201d<\/td><\/tr>
Michael Hardin<\/td>\u201cWashington Park, Anacortes\u201d<\/td><\/tr>
Julia LoFaso<\/td>\u201cBaby School\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Translation:<\/strong><\/p>\n\n\n\n

Teresa Buzo Salas<\/td>\u201cVegetative Love\u201d (Translated from the Spanish by Laura Valeri)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Moon City Review 2023<\/em><\/h2>\n\n\n\n
\"\"<\/a>
This edition includes writers Sally Ashton, Michael Beard, Rebecca Bernard, Marin Bodakov, Megan Borocki, Margaret Emma Brandl, Kathryn Bratt-Pfotenhauer, Clara Burghelea, Alyx Chandler, Abigail Chang, Clayton Adam Clark, Zoa Coudret, Darren Demaree, Aran Donovan, Janelle Drumwright, Sandra Fees, Amy Fleury, Sherrie Flick, Harrison Gatlin, Kate Gehan, Rich Glinnen, Susanna Goldfinger, Melissa Goodnight, Matthew Guenette, Sara Henning, Ric Hoeben, Susan Holcomb, Vladislav Hristov, Shen Chen Hsieh, Blake Johnson, Robert P. Kaye, Shane Kowalski, Kathryn Kulpa, Anna Leahy, DS Levy, Emily Lowe, Ma Hua, Angie Macri, Stefan Manasia, Skyler Melnick, Nancy Carol Moody, Laura Leigh Morris, Mark Neely, Shawn Nocher, Jamie Odeneal, Suphil Lee Park, Matthias Politycki, Bryan D. Price, Kimberly Ann Priest, Sharmin Rahman, Michael Rogner, Luke Rolfes, Leigh Camacho Rourks, Matt Rowan, Adam Scheffler, Teo Shannon, Martha E. Snell, Brendan Stephens, Chelsea Stickle, Katerina Stoykova, SM Stubbs, Virgil Su\u00e1rez, Michaella Thornton, Katie Tian, Meg Tuite, Cameron Vanderwerf, J. Haase Vetter, Sara Moore Wagner, Kieron Walquist, Mike White, Ian C. Williams, Lauren D. Woods, Ellen June Wright, Daniel Zeiders, and Winnie Zeng.<\/figcaption><\/figure>\n\n\n\n

Moon City Review 2022<\/em><\/h2>\n\n\n\n
\"\"<\/a>
The 2022 issue includes writers such as Sudha Balagopal, A.J. Bermudez, Laure Blauner, Danit Brown, Jim Daniels, Cherie Hunter Day, Tommy Dean, Sean Thomas Dougherty, Gary Finke, Cynthia Marie Hoffman, Michele Finn Johnson, Gary Leising, Michael Meyerhofer, Travis Mossotti, Pedro Ponce, Noley Reid, Ryan Ridge, Cathy Ulrich, Tara Isabel Zambrano, Lucy Zhang, and many, many more.<\/figcaption><\/figure>\n\n\n\n

Moon City Review 2021<\/em><\/strong><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Fiction:<\/strong><\/p>\n\n\n\n

Kim Allouche<\/td>\u201cYou\u2019re the Broccoli\u201d<\/td><\/tr>
Mar\u00eda Alejandra Barrios<\/td>\u201cAfterlife\/\/Dear Daughter\u201d<\/td><\/tr>
Mar\u00eda Alejandra Barrios<\/td>\u201cPimiento Season\u201d<\/td><\/tr>
Allison Field Bell<\/td>\u201cDarwin and Everything\u201d<\/td><\/tr>
Andrew Bertaina<\/td>\u201cThe Space Between Us\u201d<\/td><\/tr>
Meagan Cass<\/td>\u201cYour Amphibious Ex\u201d<\/td><\/tr>
Ed Falco<\/td>\u201cMillat and the Anger of Men\u201d<\/td><\/tr>
Ed Falco<\/td>\u201cMillat Dreams of Karim\u201d<\/td><\/tr>
Ed Falco<\/td>\u201cMillat in Union Square\u201d<\/td><\/tr>
Ed Falco<\/td>\u201cMillat\u2019s Altar\u201d<\/td><\/tr>
Ed Falco<\/td>\u201cMillat\u2019s Brothers\u201d<\/td><\/tr>
Blake Kimzey<\/td>\u201cThe Fantasy of Things\u201d<\/td><\/tr>
Erica Plouffe Lazure<\/td>\u201cDon\u2019t Look Back\u201d<\/td><\/tr>
Erica Plouffe Lazure<\/td>\u201cThe Seamstress Bride\u201d<\/td><\/tr>
Erica Plouffe Lazure<\/td>\u201cWhy My Dad Got Me an Xbox for My Birthday\u201d<\/td><\/tr>
Kim Magowan & Michelle Ross<\/td>\u201cOh-Oh-It\u2019s-Cruel\u201d<\/td><\/tr>
Kathleen Zamboni McCormick<\/td>\u201cAnd Still, You Choose Denial\u201d<\/td><\/tr>
E.J. Morris<\/td>\u201cTheir Voices Are in Their Legs\u201d<\/td><\/tr>
Robert Brian Mulder<\/td>\u201cRight Things Left Undone\u201d<\/td><\/tr>
Paige Powell<\/td>\u201cInfant RealLife\u201d<\/td><\/tr>
Nickalus Rupert<\/td>\u201cOutskirts of the Psiloverse\u201d<\/td><\/tr>
Anthony Varallo<\/td>\u201cToday You Are Green\u201d<\/td><\/tr>
Siamak Vossoughi<\/td>\u201cThe Grandmother\u201d<\/td><\/tr>
Jeremy T. Wilson<\/td>\u201cKalamazoo\u201d<\/td><\/tr>
Joshua Zimmerer<\/td>\u201cNational Taco Tuesday\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Poetry:<\/strong><\/p>\n\n\n\n

Cathy Allman<\/td>\u201cOctober Cyclogenesis\u201d<\/td><\/tr>
Amanda Auchter<\/td>\u201cGardening\u201d<\/td><\/tr>
Ruth Bardon<\/td>\u201cChicken\u201d<\/td><\/tr>
Wendy Barker<\/td>\u201cAfter Pittsburgh\u201d<\/td><\/tr>
Roy Bentley<\/td>\u201cTeratology\u201d<\/td><\/tr>
Ace Boggess<\/td>\u201cTrain Tagging\u201d<\/td><\/tr>
Jo Brachman<\/td>\u201cI say goodbye wraparound, but linger\u201d<\/td><\/tr>
Jo Brachman<\/td>\u201cWhat I Worry About at the Aquarium\u201d<\/td><\/tr>
Shevaun Brannigan<\/td>\u201cWildwood\u201d<\/td><\/tr>
Ronda Piszk Broatch<\/td>\u201cIf the Dream Isn\u2019t Ripe \u2026\u201d<\/td><\/tr>
Abby Caplin<\/td>\u201cTumbling Through a Faucet\u201d<\/td><\/tr>
Pat Daneman<\/td>\u201cDinner Party With Married Friends\u201d<\/td><\/tr>
James Ellenberger<\/td>\u201cThey Taste on the Air the Rich Red of Roses\u201d<\/td><\/tr>
Renee Emerson<\/td>\u201cA Parable of Memory\u201d<\/td><\/tr>
Vivian Eyre<\/td>\u201cWhat\u2019s in Front of You\u201d<\/td><\/tr>
Kathy Goodkin<\/td>\u201cClimate Change Cin\u00e9ma V\u00e9rit\u00e9\u201d<\/td><\/tr>
Kathy Goodkin<\/td>\u201cPedagogy\u201d<\/td><\/tr>
Jonathan Greenhause<\/td>\u201cA Makeshift Ark\u201d<\/td><\/tr>
Patrick Holian<\/td>\u201cMy Legacy of Repose\u201d<\/td><\/tr>
Alyse Knorr<\/td>\u201cWolf Tours\u2019 Official Statement \u2026\u201d<\/td><\/tr>
Nancy Chen Long<\/td>\u201cAnother, Bolder Paradise\u201d<\/td><\/tr>
Nancy Chen Long<\/td>\u201cInstrument\u201d<\/td><\/tr>
Lynn Pattison<\/td>\u201cMise en abyme\u201d<\/td><\/tr>
Charnell Peters<\/td>\u201cI Imagine You Gone\u201d<\/td><\/tr>
Jennifer Popa<\/td>\u201cMorsel\u201d<\/td><\/tr>
Marnie Ritchie<\/td>\u201cI\u2019d seen Susan Sarandon do it in Atlantic City\u201d<\/td><\/tr>
M.A. Scott<\/td>\u201cAfter My Mother and I Discuss Her DNR\u201d<\/td><\/tr>
Bret Shepard<\/td>\u201cLast Sunset\u201d<\/td><\/tr>
Bret Shepard<\/td>\u201cSummer Camp\u201d<\/td><\/tr>
Noel Sloboda<\/td>\u201cOnline Chatter\u201d<\/td><\/tr>
Martha E. Snell<\/td>\u201cI Have Tremors\u201d<\/td><\/tr>
Melissa Studdard<\/td>\u201cAt Fifty, I Became a Three-Time Finalist for the Darwin Awards\u201d<\/td><\/tr>
Melissa Studdard<\/td>\u201cThen, sometimes, my body forgets it\u2019s not a peacock\u201d<\/td><\/tr>
Laura Lee Washburn<\/td>\u201cLittle Skulls\u201d<\/td><\/tr>
Laura Lee Washburn<\/td>\u201cRitual\u201d<\/td><\/tr>
Charles Harper Webb<\/td>\u201cWhat\u2019s That Red Thing \u2026\u201d<\/td><\/tr>
Gabriel Welsch<\/td>\u201cWhy We Count the Birds\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Nonfiction:<\/strong><\/p>\n\n\n\n

Caitlin Feldman<\/td>\u201cReplica\u201d<\/td><\/tr>
Ryn Haaversen<\/td>\u201cStained\u201d<\/td><\/tr>
Andrea Marcusa<\/td>\u201cMy Unfamiliar City\u201d<\/td><\/tr>
Samantha Padgett<\/td>\u201cHauntology\u201d<\/td><\/tr>
Matthew Pitt<\/td>\u201cBoat of Books\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Translations:<\/strong><\/p>\n\n\n\n

Muzaffer Kale<\/td>\u201cDeath Whistles Like a Bird\u201d (Translated from the Turkish by Ralph Hubbell)<\/td><\/tr>
Salgado Maranh\u00e3o<\/td>\u201cFractures 2\u201d (Translated from the Portuguese by Alexis Levitin)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

The Missouri State University Student Literary Competitions:<\/strong><\/p>\n\n\n\n

Mackenzie Colleen Morris<\/td>\u201cDeath of an Acquaintance\u201d<\/td><\/tr>
Alyssah Morrison<\/td>\u201cDaryle Wayne Orr: 2019 Circle of Honor Inductee for the United Parcel Service, 25 Years of Safe Driving Award\u201d<\/td><\/tr>
Habeeb Renfroe<\/td>\u201cThe Moon. The Moth\u201d<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Moon City Review 2020<\/strong><\/em><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Fiction:<\/strong><\/p>\n\n\n\n

Garrett Ashley <\/td> \u201cYou Just Have to Know They\u2019re Very Sensitive\u201d <\/td><\/tr>
Melissa Benton Barker <\/td> \u201cTomorrow Morning\u201d <\/td><\/tr>
\n Hanna Bartels\n <\/td>\n \u201cOne, Two\u201d\n <\/td><\/tr>
\n Danielle\n Burnette\n <\/td>\n \u201cClean\u201d\n <\/td><\/tr>
\n Danielle\n Burnette\n <\/td>\n \u201cCollections\u201d\n <\/td><\/tr>
\n Danielle\n Burnette\n <\/td>\n \u201cRear View\u201d\n <\/td><\/tr>
\n Rebecca Fishow\n <\/td> \u201cAs if in Prayer\u201d <\/td><\/tr>
\n Caroljean\n Gavin\n <\/td>\n \u201cBarren\u201d\n <\/td><\/tr>
\n Jennifer A.\n Howard\n <\/td> \u201cFlat Stanley is so often at the post office\u201d <\/td><\/tr>
\n Jennifer A.\n Howard\n <\/td> \u201cFlat Stanley reads Agatha Christie\u201d <\/td><\/tr>
\n Kim Magowan\n <\/td> \u201cWomen on the Sidelines\u201d <\/td><\/tr>
\n John McNally\n <\/td> \u201cCatch and Release\u201d <\/td><\/tr>
\n Amelia Morand\n <\/td>\n \u201cWimpy\u201d\n <\/td><\/tr>
\n Elizabeth\n Nonemaker\n <\/td>\n \u201cBlue Desert\u201d\n <\/td><\/tr>
\n A.R. Robins\n <\/td> \u201cWhen I Need It\u201d <\/td><\/tr>
\n Michelle Ross\n <\/td>\n \u201cFishbowl\u201d\n <\/td><\/tr>
\n Leigh Camacho\n Rourks\n <\/td> \u201cEighty-Five Days After \u2026\u201d <\/td><\/tr>
\n Caitlin Rae\n Taylor\n <\/td> \u201cThe Laurel County Clergy Demolition Derby\u201d <\/td><\/tr>
\n Catherine\n Uroff\n <\/td> \u201cConnecticut Was Closing\u201d <\/td><\/tr>
\n Jennifer\n Wortman\n <\/td> \u201cNot the Kind of Girl\u201d <\/td><\/tr>
\n Rosetta Young\n <\/td> \u201cDelinquent Palaces\u201d <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Poetry:<\/strong><\/p>\n\n\n\n

\n Gale Acuff\n <\/td>\n \u201cLet Me Call\n You\u201d\n <\/td><\/tr>
\n Walter Bargen\n <\/td>\n \u201cSwing of Things\u201d\n <\/td><\/tr>
\n B.J. Best\n <\/td>\n \u201cfrom \u2018Ornithoncology\u2019\u201d\n <\/td><\/tr>
\n Melissa Boston\n <\/td>\n \u201cPastime: A\n narrative\u201d\n <\/td><\/tr>
\n Savannah\n Bradley\n <\/td>\n \u201cService of\n the Light\u201d\n <\/td><\/tr>
\n A.M. Brant\n <\/td>\n \u201cBefore the\n Iron\u201d\n <\/td><\/tr>
\n Jason Lee\n Brown\n <\/td>\n \u201cFresh Stimulation\u201d\n <\/td><\/tr>
\n Sarah Browning\n <\/td>\n \u201cA Beautiful\n Evening for Baseball \u2026\u201d\n <\/td><\/tr>
\n Justin Carter\n <\/td>\n \u201cMemory in\n Which We Stare Through the Window \u2026\u201d\n <\/td><\/tr>
\n Clayton Adam\n Clark\n <\/td>\n \u201cAlgal Bloom\u201d\n <\/td><\/tr>
\n Mary Christine\n Delea\n <\/td>\n \u201cJohn\n Steinbeck Delivers My Mail\u201d\n <\/td><\/tr>
\n Regina DiPerna\n <\/td>\n \u201cThe\n Midwestern Book of the Dead\u201d\n <\/td><\/tr>
\n Dawn Dupler\n <\/td>\n \u201cOpossum\u201d\n <\/td><\/tr>
\n Taylor\n Fedorchak\n <\/td>\n \u201cWanting to\n drive to Roswell with him\u201d\n <\/td><\/tr>
\n Jeannine Hall\n Gailey\n <\/td>\n \u201cEvery Time I Take\n Another Cancer Test, I Feel the Universe\u201d\n <\/td><\/tr>
\n Jeannine Hall\n Gailey\n <\/td>\n \u201cJuly 5, 2019\u201d\n <\/td><\/tr>
\n Jeannine Hall\n Gailey\n <\/td>\n \u201cSelf-Portrait\n as Fifties Hygiene Film\u201d\n <\/td><\/tr>
\n John Gallaher\n <\/td>\n \u201cElegy for the\n Oil Industry\u201d\n <\/td><\/tr>
\n Justin Jannise\n <\/td>\n \u201cWhat I\u2019m Into\u201d\n <\/td><\/tr>
\n Christen Noel\n Kauffman\n <\/td>\n \u201cThey Took the\n First Photo of \u2026\u201d\n <\/td><\/tr>
\n Danielle\n Kotrla\n <\/td>\n \u201cDead Dog\n Corridor\u201d\n <\/td><\/tr>
\n Marcia LeBeau\n <\/td>\n \u201cTraining\u201d\n <\/td><\/tr>
\n Gary Leising\n <\/td>\n \u201cSomething\u2019s\n in the Yard, Moving\u201d\n <\/td><\/tr>
\n Elizabeth Leo\n <\/td>\n \u201cA Method to\n Push Back, Hard\u201d\n <\/td><\/tr>
\n Tessa\n Livingstone\n <\/td>\n \u201cEdinburgh,\n 1948\u201d\n <\/td><\/tr>
\n Tessa\n Livingstone\n <\/td>\n \u201cTraveling\n Along the Trace\u201d\n <\/td><\/tr>
\n Angie Macri\n <\/td>\n \u201cIn the garden\n without trees,\u201d\n <\/td><\/tr>
\n Liz Marlow\n <\/td>\n \u201cElegy for the\n Orphans in Minsk\u201d\n <\/td><\/tr>
\n Autumn\n McClintock\n <\/td>\n \u201cHouses\u201d\n <\/td><\/tr>
\n Jessica Mehta\n <\/td>\n \u201cHorn OK\n Please\u201d\n <\/td><\/tr>
\n Owen Neace\n <\/td>\n \u201cHolding Back\n Elegy\u201d\n <\/td><\/tr>
\n William Palomo\n <\/td>\n \u201cThe Coming of\n Your Firstborn \u2026\u201d\n <\/td><\/tr>
\n Kimberly Ann\n Priest\n <\/td>\n \u201cThe Scrape\u201d\n <\/td><\/tr>
\n Rebecca Schumejda\n <\/td>\n \u201cPeel\u201d\n <\/td><\/tr>
\n Rebecca\n Schumejda\n <\/td>\n \u201cSweet Fruit\u201d\n <\/td><\/tr>
\n Karaline\n Stamper\n <\/td>\n \u201cLet\u2019s Not\n Talk About the Feathers\u201d\n <\/td><\/tr>
\n Daryl Sznyter\n <\/td>\n \u201cOver Coffee\u201d\n <\/td><\/tr>
\n Nancy Takacs\n <\/td>\n \u201cMaking Up\u201d\n <\/td><\/tr>
\n Hannah V\n Warren\n <\/td>\n \u201cSlipping\n Between Dimensions \u2026\u201d\n <\/td><\/tr>
\n Sam Herschel Wein\n <\/td>\n \u201cI Showed You\n a Poem About \u2026\u201d\n <\/td><\/tr>
\n Terin Weinberg\n <\/td>\n \u201cSonnet (1)\u201d\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Nonfiction:<\/strong><\/p>\n\n\n\n

\n Kathryn M.\n Barber\n <\/td>\n \u201cWhiskey River\n Blues\u201d\n <\/td><\/tr>
\n J.A. Bernstein\n <\/td>\n \u201cNorthern\n Cowboy\u201d\n <\/td><\/tr>
\n Maggie Dove\n <\/td>\n \u201cEvery Time My\n Mother Dies\u201d\n <\/td><\/tr>
\n Andy Smart\n <\/td>\n \u201cA Numbers\n Game\u201d\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Graphic Narrative:<\/strong><\/p>\n\n\n\n

G.H. Yamauchi <\/td>\n \u201cCoconuts Land\n on Sand; Buckeyes Fall Into Dirt\u201d\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Translation:<\/strong><\/p>\n\n\n\n

Hasan Alizadeh <\/td>\n \u201cLetter\u201d (Translated\n from the Persian by Rebecca Ruth Gould and Kayvan Tahmasebian)\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

The Missouri State University Student Literary Competitions:<\/strong><\/p>\n\n\n\n

\n Amelia Fisher\n <\/td>\n \u201cJuly 19, 2018\u201d\n <\/td><\/tr>
\n Amelia Fisher\n <\/td>\n \u201cWhy I Like\n Bad Boys According to the PCL-5\u201d\n <\/td><\/tr>
\n Madison Green\n <\/td>\n \u201cThe\n Housefly\u2019s Head, Thorax, and Abdomen\u201d\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Moon City Review 2019<\/em><\/strong><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Fiction:<\/strong><\/p>\n\n\n\n

\n Samuel J Adams\n <\/td>\n \u201cThe Roving\n Clap\u2019n\u2019Taps\u2019 Farewell Show\u201d\n <\/td><\/tr>
\n Whitney\n Collins\n <\/td>\n \u201cThe Nest\u201d\n <\/td><\/tr>
\n Tammy\n Delatorre\n <\/td>\n \u201cThe Baby\n Garden\u201d\n <\/td><\/tr>
\n Ian Denning\n <\/td>\n \u201cDrawing of a\n Spaceship Breaking Up Over the Moon\u201d\n <\/td><\/tr>
Dana Diehl & Melissa Goodrich <\/td>\n \u201cThe School Mascot\u201d\n <\/td><\/tr>
\n Sarah Freligh\n <\/td>\n \u201cRummage\u201d\n <\/td><\/tr>
\n Melissa\n Goodrich & Dana Diehl\n <\/td>\n \u201cThe School\n Mascot\u201d\n <\/td><\/tr>
\n Joseph Harris\n <\/td>\n \u201cYou\u2019re in the\n Wrong Place\u201d\n <\/td><\/tr>
\n Dustin M.\n Hoffman\n <\/td>\n \u201cThe Life Net\u201d\n <\/td><\/tr>
\n Sarah Layden\n <\/td>\n \u201cThe Jumper\u201d\n <\/td><\/tr>
\n Amanda Marbais\n <\/td>\n \u201cTell Me\u201d\n <\/td><\/tr>
\n Brianna McNish\n <\/td>\n \u201cLittle\n Houses\u201d\n <\/td><\/tr>
\n Alyssa\n Proujansky\n <\/td>\n \u201cPin a Person\n to the Earth\u201d\n <\/td><\/tr>
\n Allison Wyss\n <\/td>\n \u201cBoobman\u201d\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Poetry:<\/strong><\/p>\n\n\n\n

\n Hussain Ahmed\n <\/td>\n \u201cShadows\u201d\n <\/td><\/tr>
\n Rachel Barton\n <\/td>\n \u201cA Time of\n Reckoning\u201d\n <\/td><\/tr>
\n Anthony\n Borruso\n <\/td>\n \u201cSad Little\n Anthony\u201d\n <\/td><\/tr>
\n Anthony\n Borruso\n <\/td>\n \u201cStaten Island\u201d\n <\/td><\/tr>
\n Dakota Canon\n <\/td>\n \u201cAll the\n Missing Children\u201d\n <\/td><\/tr>
\n Jim Daniels\n <\/td>\n \u201cPinned\u201d\n <\/td><\/tr>
\n Michelle\n Donahue\n <\/td>\n \u201cFeeding Crows\u201d\n <\/td><\/tr>
\n Kate Hanson\n Foster\n <\/td>\n \u201cKnead\u201d\n <\/td><\/tr>
\n M. Brett\n Gaffney\n <\/td>\n \u201cBlood\u201d\n <\/td><\/tr>
\n Tony Gloeggler\n <\/td>\n \u201cHoliday Music\u201d\n <\/td><\/tr>
\n Maggie Graber\n <\/td>\n \u201cWhy I\n Shouldn\u2019t Be an FBI Special Agent\u201d\n <\/td><\/tr>
\n Jonathan\n Greenhause\n <\/td>\n \u201cGetting\n Organized\u201d\n <\/td><\/tr>
\n Jonathan\n Greenhause\n <\/td>\n \u201cLongevity\u201d\n <\/td><\/tr>
\n Kathleen\n Hellen\n <\/td>\n \u201cWonderboy\u201d\n <\/td><\/tr>
\n Donald Illich\n <\/td>\n \u201cAgainst\n Hammers\u201d\n <\/td><\/tr>
\n Nancy Chen\n Long\n <\/td>\n \u201cWhy I Should\n Love\u201d\n <\/td><\/tr>
\n BJ Love\n <\/td>\n \u201cThe Question\n Then Is How to Love\u201d\n <\/td><\/tr>
\n Loria Mendoza\n <\/td>\n \u201cBlack Fish\u201d\n <\/td><\/tr>
\n Scarlett\n Peterson\n <\/td>\n \u201cDismemberment\u201d\n <\/td><\/tr>
\n Scarlett\n Peterson\n <\/td>\n \u201cFrivolity\u201d\n <\/td><\/tr>
\n Mary Schmitt\n <\/td>\n \u201cJob Speaks to\n Betty, the Organizer of His Book Tour\u201d\n <\/td><\/tr>
\n Mary Schmitt\n <\/td>\n \u201cWatching\n Hills, and the Trees\u201d\n <\/td><\/tr>
\n Simon Shieh\n <\/td>\n \u201cin which I go\n with him\u201d\n <\/td><\/tr>
\n Lana Spendl\n <\/td>\n \u201cAs God\n Intended\u201d\n <\/td><\/tr>
\n Sophia\n Starmack\n <\/td>\n \u201cThe Mess\u201d\n <\/td><\/tr>
\n Ellen Stone\n <\/td>\n \u201cHand me down\u201d\n <\/td><\/tr>
\n Cammy Thomas\n <\/td>\n \u201cAccounting\u201d\n <\/td><\/tr>
\n Preeti Vangani\n <\/td>\n \u201cTextbook\n & Desire\u201d\n <\/td><\/tr>
\n Charles Harper\n Webb\n <\/td>\n \u201cRemove Child\n Before Folding\u201d\n <\/td><\/tr>
\n Ross White\n <\/td>\n \u201cThere\u2019s a\n Void and It Needed a Villain\u201d\n <\/td><\/tr>
\n Allyson Young\n <\/td>\n \u201cNell as Cat Ballou\u201d\n <\/td><\/tr>
\n Allyson Young\n <\/td>\n \u201cNell at Girl\n Scout Camp\u201d\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Nonfiction:<\/strong><\/p>\n\n\n\n

\n Laurie Blauner\n <\/td>\n \u201cWe Can Talk\n About That\u201d\n <\/td><\/tr>
\n Virginia Watts\n <\/td>\n \u201cWhen\n Christmas Dawns\u201d\n <\/td><\/tr>
\n Jonathan\n Winston Jones\n <\/td>\n \u201cWilla\n Cather\u2019s Ghost\u201d\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Translation:<\/strong><\/p>\n\n\n\n

\n Jonathan\n Minila\n <\/td>\n \u201cWe Even Look\n Like Family\u201d (Translated from the Spanish by Will Stockton)\n <\/td><\/tr>
\n Laura Ponce\n <\/td>\n \u201cPaulina\u201d\n (Translated from the Spanish by Toshiya Kamei)\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

The Missouri State University Student Literary Competitions:<\/strong><\/p>\n\n\n\n

\n Amanda Hadlock\n <\/td>\n \u201cDeath Only Happens\n Once in a Lifetime\u201d (nonfiction)\n <\/td><\/tr>
\n David\n Herghelegiu\n <\/td>\n \u201cThe First\n Baptism, The Last Amen\u201d (poetry)\n <\/td><\/tr>
\n Taylor Jim Sly\n <\/td>\n \u201cPants on\n Fire\u201d (fiction)\n <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n

Moon City Review 2018<\/strong><\/em><\/h2>\n

\"\"<\/a><\/p>\n

Fiction:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Adrianne Beer<\/td>\n\u201cGypsy Moths\u201d<\/td>\n<\/tr>\n
Thomas Cardamone<\/td>\n\u201cStormy Skies on the Galactic Front\u201d<\/td>\n<\/tr>\n
Susan Frith<\/td>\n\u201cBy the Blackgum Tree\u201d<\/td>\n<\/tr>\n
Emma Johnson-Rivard<\/td>\n\u201cMonologue for Flo Polillo, Third Victim of the Butcher of Kingsbury Run (1936)\u201d<\/td>\n<\/tr>\n
Karla Keffer<\/td>\n\u201cLooking for Ethel\u201d<\/td>\n<\/tr>\n
Clayton Krollman<\/td>\n\u201cHierophants\u201d<\/td>\n<\/tr>\n
Saul Lemerond<\/td>\n\u201cAcadiana Orange Groves\u201d<\/td>\n<\/tr>\n
Wendy Oleson<\/td>\n\u201cSuffocate\u201d<\/td>\n<\/tr>\n
Leslie Pietrzyk<\/td>\n\u201cThe Favorite\u201d<\/td>\n<\/tr>\n
A.R. Robins<\/td>\n\u201cSomeplace to Be\u201d<\/td>\n<\/tr>\n
Gage Saylor<\/td>\n\u201cKernals\u201d<\/td>\n<\/tr>\n
Lucas Southworth<\/td>\n\u201cThis Neighborhood\u201d<\/td>\n<\/tr>\n
Jason Teal<\/td>\n\u201cThe Other Side of the Mirror of Lies\u201d<\/td>\n<\/tr>\n
Mary Troy<\/td>\n\u201cButter Cakes\u201d<\/td>\n<\/tr>\n
Giovanna Varela<\/td>\n\u201cLocal Girls, 2001\u201d<\/td>\n<\/tr>\n
Giovanna Varela<\/td>\n\u201cOrange World\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Poetry:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Walter Bargen<\/td>\n\u201cSatellite Weather\u201d<\/td>\n<\/tr>\n
Alyse Bensel<\/td>\n\u201cSit-Upon\u201d<\/td>\n<\/tr>\n
Roy Bentley<\/td>\n\u201cJanis Joplin\u201d<\/td>\n<\/tr>\n
Melissa Boston<\/td>\n\u201cI have fantasies about the post office worker on 8th St.\u201d<\/td>\n<\/tr>\n
Jo Brachman<\/td>\n\u201cMatriarch\u201d<\/td>\n<\/tr>\n
Jennifer Bullis<\/td>\n\u201cGreat-Grandmother in the Woods (Grossoto, Lombardy, c. 1902\u201d<\/td>\n<\/tr>\n
Jennifer Bullis<\/td>\n\u201cGrandmother in the Woods (Washoe Valley, Nevada, c. 1920\u201d<\/td>\n<\/tr>\n
Jennifer Bullis<\/td>\n\u201cLandscape with Supplication and Art Supplies\u201d<\/td>\n<\/tr>\n
Robin Cedar<\/td>\n\u201cI Was Fourteen When I Found the Shoe\u201d<\/td>\n<\/tr>\n
Clayton Adam Clark<\/td>\n\u201cOuroboric\u201d<\/td>\n<\/tr>\n
Charlotte Covey<\/td>\n\u201cin which i actually get what i thought i wanted\u201d<\/td>\n<\/tr>\n
Debra Kang Dean<\/td>\n\u201cOut of Bo(u)nds\u201d<\/td>\n<\/tr>\n
Debra Kang Dean<\/td>\n\u201cRearing\u201d<\/td>\n<\/tr>\n
Shelby Dale DeWeese<\/td>\n\u201cWe Three Queens\u201d<\/td>\n<\/tr>\n
Lukas Ray Hall<\/td>\n\u201cthe way it dies\u201d<\/td>\n<\/tr>\n
Eileen Hennessy<\/td>\n\u201cField\u201d<\/td>\n<\/tr>\n
Rosalind Kaliden<\/td>\n\u201cRot\u201d<\/td>\n<\/tr>\n
Ronald Koertge<\/td>\n\u201cLife on the Farm\u201d<\/td>\n<\/tr>\n
Ted Lardner<\/td>\n\u201cAutobiography with Some Cows on a Road in Michigan Passing Through It\u201d<\/td>\n<\/tr>\n
Gary Leising<\/td>\n\u201cPanicCrow\u201d<\/td>\n<\/tr>\n
Dan\u00e8lle Lejeune<\/td>\n\u201c(Mary) Celeste\u201d<\/td>\n<\/tr>\n
George Looney<\/td>\n\u201cNot Even a Decent Wind to Blame\u201d<\/td>\n<\/tr>\n
Naomi Ruth Lowinsky<\/td>\n\u201cTranslations from Childhood\u201d<\/td>\n<\/tr>\n
Wyatt McMurry<\/td>\n\u201cI\u2019m Sailing Away\u201d<\/td>\n<\/tr>\n
Melissa Atkinson Mercer<\/td>\n\u201cghost exhibit 4.1\u201d<\/td>\n<\/tr>\n
Michael Meyerhofer<\/td>\n\u201cLamentation from the Produce Aisle\u201d<\/td>\n<\/tr>\n
Emily O\u2019Neill<\/td>\n\u201cbroke (alone) at amateur hour\u201d<\/td>\n<\/tr>\n
Aza Pace<\/td>\n\u201cTigers at 1 a.m.\u201d<\/td>\n<\/tr>\n
Ricardo Pau-Llosa<\/td>\n\u201cManger\u201d<\/td>\n<\/tr>\n
Simon Perchik<\/td>\n\u201cFrom inches away his finger can\u2019t miss\u201d<\/td>\n<\/tr>\n
Lizzy Petersen<\/td>\n\u201cSocial Media Platform\u201d<\/td>\n<\/tr>\n
Elizabeth Rees<\/td>\n\u201cAcross from a Woman Trying to Read The Origin of Consciousness in the Breakdown of the Bicameral Mind<\/em> on the C Train\u201d<\/td>\n<\/tr>\n
henry 7. reneau, jr.<\/td>\n\u201ca dog\u2019s tail\u201d<\/td>\n<\/tr>\n
Ron Riekki<\/td>\n\u201cLeaving, for the Military\u201d<\/td>\n<\/tr>\n
Jacki Rigoni<\/td>\n\u201cA Question for the Spider\u201d<\/td>\n<\/tr>\n
Joshua Michael Stewart<\/td>\n\u201cConfederate Flag Shot Glass\u201d<\/td>\n<\/tr>\n
Barbara Varanka<\/td>\n\u201cA\u00f1ejo\u201d<\/td>\n<\/tr>\n
Barbara Varanka<\/td>\n\u201cSpaghetti Western\u201d<\/td>\n<\/tr>\n
Charles Harper Webb<\/td>\n\u201cTo Bang His Head Against the Wall\u201d<\/td>\n<\/tr>\n
Gabriel Welsch<\/td>\n\u201cThe Lake People\u201d<\/td>\n<\/tr>\n
Lesley Wheeler<\/td>\n\u201cSays the Cab Driver of the Apocalypse\u201d<\/td>\n<\/tr>\n
William Woolfitt<\/td>\n\u201cMoonshine Blues, St. Louis Blues\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Nonfiction:<\/h5>\n\n\n\n\n\n
Aholaah Arzah<\/td>\n\u201cThe Dog is a Ghost\u201d<\/td>\n<\/tr>\n
Nick Christian<\/td>\n\u201cAin\u2019t Nothing but a Stranger in This World\u201d<\/td>\n<\/tr>\n
Kirby Wright<\/td>\n\u201cThe Fight of the Century\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Translation:<\/h5>\n\n\n\n\n\n
Hisham Bustani<\/td>\n\u201cSolitude\u201d (Translated from the Arabic by maia tabet)<\/td>\n<\/tr>\n
Astrid Cabral<\/td>\n\u201cThe Circle\u201d (Translated from the Portuguese by Alexis Levitin)<\/td>\n<\/tr>\n
Astrid Cabral<\/td>\n\u201cTrochanter\u201d (Translated from the Portuguese by Alexis Levitin)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Moon City Review 2017<\/strong><\/em><\/h2>\n

\"\"<\/a><\/p>\n

Fiction:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Sarah Broderick<\/td>\n\u201cGreetings From the New River Gorge\u201d<\/td>\n<\/tr>\n
Thomas Shipp Burnett<\/td>\n\u201cThe Anvil of the Sea\u201d<\/td>\n<\/tr>\n
Karen Donovan<\/td>\n\u201cA Gothic Tale\u201d (Selected for The Best Small Fictions 2018<\/em>)<\/span><\/td>\n<\/tr>\n
Karen Donovan<\/td>\n\u201cLevi Catches a Hedgehog\u201d<\/td>\n<\/tr>\n
Matt Dube<\/td>\n\u201cPaletas\u201d<\/td>\n<\/tr>\n
John Gifford<\/td>\n\u201cPower Seat\u201d<\/td>\n<\/tr>\n
Benjamin Harnett<\/td>\n\u201cThe Snap\u201d<\/td>\n<\/tr>\n
Dwight Hilson<\/td>\n\u201cRoyal Ruby Reds\u201d<\/td>\n<\/tr>\n
Andy Jameson<\/td>\n\u201cHigh Plains Drifter\u201d<\/td>\n<\/tr>\n
Tara Kipnees<\/td>\n\u201cNever Say Never\u201d<\/td>\n<\/tr>\n
Kim Magowan<\/td>\n\u201cPop Goes the Weasel\u201d<\/td>\n<\/tr>\n
Jason Namey<\/td>\n\u201cBarked Hoarse at a Bottom-Lit Pool\u201d<\/td>\n<\/tr>\n
L.W. Nicholson<\/td>\n\u201cPersimmons on Planet Earth\u201d<\/td>\n<\/tr>\n
Daniel Paul<\/td>\n\u201cThe Difficulties of Loving in Phase Space\u201d<\/td>\n<\/tr>\n
Evelyn Somers<\/td>\n\u201cThe Mistake\u201d<\/td>\n<\/tr>\n
J. David Stevens<\/td>\n\u201cThe Babies\u201d<\/td>\n<\/tr>\n
Ian Woollen<\/td>\n\u201cRepeatable Sequence #2\u201d<\/td>\n<\/tr>\n
Tara Isabel Zambrano<\/td>\n\u201c20 mph\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Poetry:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Sayuri Ayers<\/td>\n\u201cLove Fossil\u201d<\/td>\n<\/tr>\n
Walter Bargen<\/td>\n\u201cAfter the operation\u201d<\/td>\n<\/tr>\n
Walter Bargen<\/td>\n\u201cA Different Prayer\u201d<\/td>\n<\/tr>\n
Marty Carlock<\/td>\n\u201cWomen Traveling Alone\u201d<\/td>\n<\/tr>\n
Steven Chung<\/td>\n\u201cLake-Effect Snow\u201d<\/td>\n<\/tr>\n
Pat Daneman<\/td>\n\u201cOverdue\u201d<\/td>\n<\/tr>\n
John Paul Davis<\/td>\n\u201cOde to My Potbelly\u201d<\/td>\n<\/tr>\n
Wendy Drexler<\/td>\n\u201cUntitled Photo #9 From a Crimean Diary, Circa 1920\u201d<\/td>\n<\/tr>\n
Sarah Freligh<\/td>\n\u201cThe Pedophile\u2019s Wife\u201d<\/td>\n<\/tr>\n
Sarah Freligh<\/td>\n\u201cWhy I Despise the Martini\u201d<\/td>\n<\/tr>\n
Kerri French<\/td>\n\u201c32 Weeks\u201d<\/td>\n<\/tr>\n
Sheri Gabbert<\/td>\n\u201cWhat do I know?\u201d<\/td>\n<\/tr>\n
Katherine Gordon<\/td>\n\u201cTruth Tables in the Seventh Grade\u201d<\/td>\n<\/tr>\n
Erin Jones<\/td>\n\u201cRemembering Winter\u201d<\/td>\n<\/tr>\n
Sam Killmeyer<\/td>\n\u201cPostcard to Riley, Kansas, March 22, 1910\u201d<\/td>\n<\/tr>\n
Angie Macri<\/td>\n\u201cAs the city trees are dying, they build a jewel box\u201d<\/td>\n<\/tr>\n
Angie Macri<\/td>\n\u201cEight arches hold the weight\u201d<\/td>\n<\/tr>\n
Michael Meyerhofer<\/td>\n\u201cAdjunct\u201d<\/td>\n<\/tr>\n
Michael Meyerhofer<\/td>\n\u201cThe Dying Breed\u201d<\/td>\n<\/tr>\n
Terry Minchow-Proffitt<\/td>\n\u201cKilldeer\u201d<\/td>\n<\/tr>\n
Travis Mossotti<\/td>\n\u201cNarcissus Americana\u201d<\/td>\n<\/tr>\n
Alita Pirkopf<\/td>\n\u201cRain Forest at the Botanic Gardens\u201d<\/td>\n<\/tr>\n
\u00d6sel Jessica Plante<\/td>\n\u201cWhen I Come Back From the Dead\u201d<\/td>\n<\/tr>\n
Reba Rice<\/td>\n\u201cAtheism and Creation\u201d<\/td>\n<\/tr>\n
Staci R. Schoenfeld<\/td>\n\u201cThe Alligator Girl Becomes\u201d<\/td>\n<\/tr>\n
Noel Sloboda<\/td>\n\u201cMonuments\u201d<\/td>\n<\/tr>\n
Kendra Tanacea<\/td>\n\u201cDiagnosis\u201d<\/td>\n<\/tr>\n
Laura Lee Washburn<\/td>\n\u201cFaces\u201d<\/td>\n<\/tr>\n
Charles Harper Webb<\/td>\n\u201cNearly Invisible Man\u201d<\/td>\n<\/tr>\n
Margot Wizansky<\/td>\n\u201cRepentant\u201d<\/td>\n<\/tr>\n
Tara Isabel Zambrano<\/td>\n\u201cFlawed\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Nonfiction:<\/h5>\n\n\n\n\n
Mallory Chesser<\/td>\n\u201cSin, Guilt, and Casserole\u201d<\/td>\n<\/tr>\n
John McNally<\/td>\n\u201cCourting Disaster\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Translation:<\/h5>\n\n\n\n
Bronis\u0142aw Wildstein<\/td>\n\u201cSusanna\u201d (Translated from the Polish by Christopher Adam Zakrzewski)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/h2>\n

Moon City Review 2016<\/em><\/strong><\/h2>\n

\"MCR16<\/a><\/p>\n

Fiction:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
B.J. Best<\/td>\n\u201cNo Good Movies\u201d<\/td>\n<\/tr>\n
B.J. Best<\/td>\n\u201cTemporary Cough\u201d<\/td>\n<\/tr>\n
Susan Taylor Chehak<\/td>\n\u201cFelicity\u201d<\/td>\n<\/tr>\n
Michael Don<\/td>\n\u201cForever Twenty-Two\u201d<\/td>\n<\/tr>\n
Laura Hendrix Ezell<\/td>\n\u201cFugue\u201d<\/td>\n<\/tr>\n
Gary Joshua Garrison<\/td>\n\u201cNegatives\u201d<\/td>\n<\/tr>\n
Joe Giordano<\/td>\n\u201cWillie Mays Was My Favorite Player\u201d<\/td>\n<\/tr>\n
Stephen Jarrett<\/td>\n\u201cRupture\u201d<\/td>\n<\/tr>\n
Savannah Johnston<\/td>\n\u201cCarrion\u201d<\/td>\n<\/tr>\n
Katie McGinnis<\/td>\n\u201cThe Fox Woman at Karachi Gardens\u201d<\/td>\n<\/tr>\n
Michael Ramberg<\/td>\n\u201cLast King of the Gorilla Suits\u201d<\/td>\n<\/tr>\n
Lee Ann Roripaugh<\/td>\n\u201cMeta \/ Couch\u201d<\/td>\n<\/tr>\n
Michelle Ross<\/td>\n\u201cRattlesnake Roundup\u201d<\/td>\n<\/tr>\n
Marvin Shackelford<\/td>\n\u201cAngels, Exiled\u201d<\/td>\n<\/tr>\n
A. A. Weiss<\/td>\n\u201cChallenger\u201d (Received a Special Mention in the 2018 Pushcart Prize Anthology)<\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Poetry:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Glen Armstrong<\/td>\n\u201cThe Bedside Book of Hollow Victory\u201d<\/td>\n<\/tr>\n
Tricia Asklar<\/td>\n\u201cDrop Day\u201d<\/td>\n<\/tr>\n
Melissa Boston<\/td>\n\u201cThinking of Rain: Las Cruces\u201d<\/td>\n<\/tr>\n
Sarah Browning<\/td>\n\u201cA Christmas Story I Want to Tell You\u201d<\/td>\n<\/tr>\n
Sarah Browning<\/td>\n\u201cThe Fort\u201d<\/td>\n<\/tr>\n
Sarah Browning<\/td>\n\u201cGratitude Challenge\u201d<\/td>\n<\/tr>\n
Andrew Collard<\/td>\n\u201cI Knew a Man\u201d<\/td>\n<\/tr>\n
Andrew Collard<\/td>\n\u201cKid Gloves\u201d<\/td>\n<\/tr>\n
Reese Conner<\/td>\n\u201cThank You\u201d<\/td>\n<\/tr>\n
Jeff Coomer<\/td>\n\u201c1:00-2:00 A.M.\u201d<\/td>\n<\/tr>\n
Andrew Cox<\/td>\n\u201cSomething Moved in the Attic and It\u2019s Big\u201d<\/td>\n<\/tr>\n
Jim Daniels<\/td>\n\u201cThe Many Doors\u201d<\/td>\n<\/tr>\n
Jim Daniels<\/td>\n\u201cThe Security of CDs\u201d<\/td>\n<\/tr>\n
John Davis<\/td>\n\u201cBalancing\u201d<\/td>\n<\/tr>\n
Nandini Dhar<\/td>\n\u201cAfter Bergman\u201d<\/td>\n<\/tr>\n
Sean Thomas Dougherty<\/td>\n\u201cLighthouse Road\u201d<\/td>\n<\/tr>\n
Sean Thomas Dougherty<\/td>\n\u201cPsalm of the Working Poor\u201d<\/td>\n<\/tr>\n
Jeannine Hall Gailey<\/td>\n\u201cAn Introduction to Salvation\u201d<\/td>\n<\/tr>\n
Jeannine Hall Gailey<\/td>\n\u201cNotes From Before the Apocalypse\u201d<\/td>\n<\/tr>\n
Sara Graybeal<\/td>\n\u201cPoint Breeze, 2015\u201d<\/td>\n<\/tr>\n
Sara Graybeal<\/td>\n\u201cWhere else for my eyes\u201d<\/td>\n<\/tr>\n
Mark Irwin<\/td>\n\u201cWhat did you do today? How long will it last? Will you remember?\u201d<\/td>\n<\/tr>\n
Andrew Koch<\/td>\n\u201cYear of the Teenage Witch\u201d<\/td>\n<\/tr>\n
Marcia LeBeau<\/td>\n\u201cA Car Called Poem\u201d<\/td>\n<\/tr>\n
Marcia LeBeau<\/td>\n\u201cWhy I Skipped My Poetry Workshop for Blow-Drying Boot Camp\u201d<\/td>\n<\/tr>\n
Sandra Marchetti<\/td>\n\u201cExtras\u201d<\/td>\n<\/tr>\n
Jennifer Met<\/td>\n\u201cFallout\u201d<\/td>\n<\/tr>\n
Sarah Fawn Montgomery<\/td>\n\u201cThe Lake\u201d<\/td>\n<\/tr>\n
Nancy Carol Moody<\/td>\n\u201cA Flint in a Slipper Buried Under Glass\u201d<\/td>\n<\/tr>\n
Caridad Moro-Gronlier<\/td>\n\u201cFourth Quarter\u201d<\/td>\n<\/tr>\n
Ron Riekki<\/td>\n\u201cFinding Out the Good News\u201d<\/td>\n<\/tr>\n
David Sloan<\/td>\n\u201cAfter the Wash\u201d<\/td>\n<\/tr>\n
Marc Tretin<\/td>\n\u201cThe Wireless Phone That Was Dropped Down the Stairs\u201d<\/td>\n<\/tr>\n
William Trowbridge<\/td>\n\u201cDeath Recounts His Family History\u201d<\/td>\n<\/tr>\n
William Trowbridge<\/td>\n\u201cSerendipity\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Nonfiction:<\/h5>\n\n\n\n\n\n\n\n
Laura Bernstein-Machlay<\/td>\n\u201cClutter\u201d<\/td>\n<\/tr>\n
Shawna Ervin<\/td>\n\u201cBeyond Facts: Truth in Art\u201d<\/td>\n<\/tr>\n
Alex M. Frankel<\/td>\n\u201cWhat a San Franzisko Life\u201d<\/td>\n<\/tr>\n
Mike Nagel<\/td>\n\u201cPink Plastic Flamingos\u201d<\/td>\n<\/tr>\n
John Picard<\/td>\n\u201cThe Accordion Polka\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Moon City Review 2015<\/em><\/h2>\n

\"mcp-mcr15-275x370\"<\/a><\/p>\n

Fiction:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Matt Cashion<\/td>\n\u201cWhat to Do When Your Spouse Is Burning\u201d<\/td>\n<\/tr>\n
Jessica Forcier<\/td>\n\u201cClimbers\u201d<\/td>\n<\/tr>\n
Mitchell Krockmalnik Grabois<\/td>\n\u201cSacrament\u201d<\/td>\n<\/tr>\n
Britt Haraway<\/td>\n\u201cLilly the Kid\u201d<\/td>\n<\/tr>\n
Gabriel Houck<\/td>\n\u201cHomecoming\u201d<\/td>\n<\/tr>\n
Allegra Hyde<\/td>\n\u201cChevalier\u201d<\/td>\n<\/tr>\n
Leonard Kress<\/td>\n\u201cBoginski Finds a Bride\u201d<\/td>\n<\/tr>\n
Jill Kronstadt<\/td>\n\u201cFault Lines\u201d<\/td>\n<\/tr>\n
Cate McGowan<\/td>\n\u201cLet Go\u201d<\/td>\n<\/tr>\n
Curtis Smith<\/td>\n\u201cIllusion\u201d (Featured in The Best Small Fictions 2016<\/em>)<\/span><\/td>\n<\/tr>\n
Pablo Pi\u00f1ero Stillmann<\/td>\n\u201cThe First Man in Space\u201d<\/td>\n<\/tr>\n
Shane Stricker<\/td>\n\u201cThe Kingdom of God Is Within You\u201d<\/td>\n<\/tr>\n
Shelly Weathers<\/td>\n\u201cDrafts\u201d<\/td>\n<\/tr>\n
Hananah Zaheer<\/td>\n\u201cA Video Store Called Desire\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Poetry:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Michael Albright<\/td>\n\u201cFoggy Mountain Breakdown\u201d<\/td>\n<\/tr>\n
John Andrews<\/td>\n\u201cTallahassee Rain\u201d<\/td>\n<\/tr>\n
Kate Belew<\/td>\n\u201cGo Down to the River\u201d<\/td>\n<\/tr>\n
Roy Bentley<\/td>\n\u201cWD8RBB\u201d<\/td>\n<\/tr>\n
Jennifer Jackson Berry<\/td>\n\u201cFair\u201d<\/td>\n<\/tr>\n
Ace Boggess<\/td>\n\u201cSomething Important\u201d<\/td>\n<\/tr>\n
Kevin Boyle<\/td>\n\u201cEmigrant\u201d<\/td>\n<\/tr>\n
Kevin Boyle<\/td>\n\u201cThe Word of God\u201d<\/td>\n<\/tr>\n
Jo Brachman<\/td>\n\u201cSuspended\u201d<\/td>\n<\/tr>\n
Grant Clauser<\/td>\n\u201cS\u00e9ance\u201d<\/td>\n<\/tr>\n
Brian Clifton<\/td>\n\u201cI\u2019ve Become, He Said, Wary of Quick Things\u201d<\/td>\n<\/tr>\n
Kelly Davio<\/td>\n\u201cIn the Infusion Center,\u201d<\/td>\n<\/tr>\n
Kelly Davio<\/td>\n\u201cPantoum for Someone Else\u2019s Child\u201d<\/td>\n<\/tr>\n
David Ebenbach<\/td>\n\u201cNice All Day\u201d<\/td>\n<\/tr>\n
Katherine Frain<\/td>\n\u201cA Southern Cold\u201d<\/td>\n<\/tr>\n
Jeannine Hall Gailey<\/td>\n\u201cInterpreting Signs in Appalachia\u201d<\/td>\n<\/tr>\n
Alex Vartan Gubbins<\/td>\n\u201cThe Art of Recognizing Signs of Suicide\u201d<\/td>\n<\/tr>\n
Wei He<\/td>\n\u201cPulp Fiction\u201d<\/td>\n<\/tr>\n
Julie Henson<\/td>\n\u201cPsalm for the Good Girl a Year Ago\u201d<\/td>\n<\/tr>\n
Jane Huffman<\/td>\n\u201cCleopatra III\u201d<\/td>\n<\/tr>\n
Donald Illich<\/td>\n\u201cMisdirection\u201d<\/td>\n<\/tr>\n
Ken Letko<\/td>\n\u201cJack\u201d<\/td>\n<\/tr>\n
Joddy Murray<\/td>\n\u201cZebras Frighten Easily\u201d<\/td>\n<\/tr>\n
Jason Olsen<\/td>\n\u201cPotato Chips\u201d<\/td>\n<\/tr>\n
Jeff Pearson<\/td>\n\u201cHonda CR-X Fastback\u201d<\/td>\n<\/tr>\n
Charlotte Pence<\/td>\n\u201cOzymandias and Ye\u201d<\/td>\n<\/tr>\n
Tatiana Forero Puerta<\/td>\n\u201cOrphan Love\u201d<\/td>\n<\/tr>\n
Mary Quade<\/td>\n\u201cAmish Boy Gesturing at the Road\u201d<\/td>\n<\/tr>\n
Mary Quade<\/td>\n\u201cMeasuring Exposure\u201d<\/td>\n<\/tr>\n
Mary Quade<\/td>\n\u201cThe Middle-School Cheerleader\u201d<\/td>\n<\/tr>\n
Michael Robins<\/td>\n\u201cParis of the Plains\u201d<\/td>\n<\/tr>\n
Marjorie Stelmach<\/td>\n\u201cComplaint of the Dark Matter\u201d<\/td>\n<\/tr>\n
Rob Talbert<\/td>\n\u201cField Trip\u201d<\/td>\n<\/tr>\n
Eugenie Theall<\/td>\n\u201cEmbrace\u201d<\/td>\n<\/tr>\n
Eugenie Theall<\/td>\n\u201cEvelyn Nesbit Contemplates\u201d<\/td>\n<\/tr>\n
Jen Town<\/td>\n\u201cMy Love in the Manner of Soviet Espionage\u201d<\/td>\n<\/tr>\n
William Trowbridge<\/td>\n\u201cI\u2019m Rubber, You\u2019re Glue\u2026\u201d<\/td>\n<\/tr>\n
Charles Harper Webb<\/td>\n\u201cHalf in Love With Easeful Death\u201d<\/td>\n<\/tr>\n
Charles Harper Webb<\/td>\n\u201cHungry\u201d<\/td>\n<\/tr>\n
Changming Yuan<\/td>\n\u201cFrogs in the Fog\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Nonfiction:<\/h5>\n\n\n\n\n\n\n\n\n
Matthew Ferrence<\/td>\n\u201cBlooding\u201d<\/td>\n<\/tr>\n
Melissa Frederick<\/td>\n\u201cDead\u201d<\/td>\n<\/tr>\n
Patricia Heim<\/td>\n\u201cBecoming a Woman: A Requiem\u201d<\/td>\n<\/tr>\n
Paul Arrand Rodgers<\/td>\n\u201c020. Raticate\u201d<\/td>\n<\/tr>\n
Paul Arrand Rodgers<\/td>\n\u201c124. Jynx\u201d<\/td>\n<\/tr>\n
Kirby Wright<\/td>\n\u201cHouse of Lies\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Translation:<\/h5>\n\n\n\n\n\n
Salgado Maranh\u00e3o<\/td>\n\u201cThe Link\u201d (Translated from the Portuguese by Alexis Levitin)<\/td>\n<\/tr>\n
Salgado Maranh\u00e3o<\/td>\n\u201cPoetry\u201d (Translated from the Portuguese by Alexis Levitin)<\/td>\n<\/tr>\n
Ana Merino<\/td>\n\u201cIndifference\u201d (Translated from the Spanish by Toshiya Kamei)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Moon City Review 2014<\/em><\/h2>\n

\"MCR14_Coverfront_CMYK\"<\/a><\/p>\n

Fiction:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Vanessa Blakeslee<\/td>\n\u201cStand By to Disembark\u201d<\/td>\n<\/tr>\n
Jim Ray Daniels<\/td>\n\u201cSurvivor\u2019s Guilt\u201d<\/td>\n<\/tr>\n
Matthew Fogarty<\/td>\n\u201cMeteors\u201d<\/td>\n<\/tr>\n
Matthew Fogarty<\/td>\n\u201cWe Are Swimmers\u201d<\/td>\n<\/tr>\n
Megan Giddings<\/td>\n\u201cRoy Orbison Saved From Heart Failure\u201d<\/td>\n<\/tr>\n
Khanh Ha<\/td>\n\u201cThe River of White Water Lilies\u201d<\/td>\n<\/tr>\n
Zeke Jarvis<\/td>\n\u201cCrying Class\u201d<\/td>\n<\/tr>\n
George Looney<\/td>\n\u201cA Very Old Music\u201d<\/td>\n<\/tr>\n
Conor Robin Madigan<\/td>\n\u201cReasons for Loving\u201d<\/td>\n<\/tr>\n
Amanda Marbais<\/td>\n\u201cBottle Rockets\u201d<\/td>\n<\/tr>\n
Alex Mattingly<\/td>\n\u201cAlfred, Lord Pennyduck\u201d<\/td>\n<\/tr>\n
Jon Chaiim McConnell<\/td>\n\u201cSalvage\u201d<\/td>\n<\/tr>\n
Bryan Merck<\/td>\n\u201cFiery Chariot\u201d<\/td>\n<\/tr>\n
Phong Nguyen<\/td>\n\u201cThe Story of Ill-Begotten\u201d<\/td>\n<\/tr>\n
J.T. Robertson<\/td>\n\u201cThe Dodo, the Balance, and the Bee\u201d<\/td>\n<\/tr>\n
Amber Sparks<\/td>\n\u201cPrayer For Very Thirsty Souls Who Are Out of Beer After the Liquor Stores Have Closed\u201d<\/td>\n<\/tr>\n
Amber Sparks<\/td>\n\u201cPrayer for Video Game Characters Who Are Running Out of Hit Points Right in the Middle of the Last Boss Fight\u201d<\/td>\n<\/tr>\n
Danilo Thomas<\/td>\n\u201cThe Steeling\u201d<\/td>\n<\/tr>\n
Matthew Vollmer<\/td>\n\u201cAcademy Girls\u201d<\/td>\n<\/tr>\n
KV Wilt<\/td>\n\u201cThe Dump: Bermuda, 1960\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Poetry:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Albert Abonado<\/td>\n\u201cCave Song\u201d<\/td>\n<\/tr>\n
Albert Abonado<\/td>\n\u201cDiagram of a Man With Very Tiny Wings\u201d<\/td>\n<\/tr>\n
Albert Abonado<\/td>\n\u201cThe Last Pearl\u201d<\/td>\n<\/tr>\n
Albert Abonado<\/td>\n\u201cThe Man Root\u201d<\/td>\n<\/tr>\n
C.D. Albin<\/td>\n\u201cCicero Jack Contemplates the Heart-Stays People\u201d<\/td>\n<\/tr>\n
C.D. Albin<\/td>\n\u201cEndgame\u201d<\/td>\n<\/tr>\n
Emily May Anderson<\/td>\n\u201cDaughter\u201d<\/td>\n<\/tr>\n
Roy Bentley<\/td>\n\u201cVengeance\u201d<\/td>\n<\/tr>\n
Melissa Boston<\/td>\n\u201cSoutine, Your Carcass<\/em>\u201d<\/td>\n<\/tr>\n
Luci Brown<\/td>\n\u201cOf Another Nature I Did Not Know\u201d<\/td>\n<\/tr>\n
Doug Paul Case<\/td>\n\u201cThe Old Queen Has the Gym\u201d<\/td>\n<\/tr>\n
Lisa J. Cihlar<\/td>\n\u201cAn Insignificant Life\u201d<\/td>\n<\/tr>\n
Lisa J. Cihlar<\/td>\n\u201cLiar\u201d<\/td>\n<\/tr>\n
Tim Craven<\/td>\n\u201cNeuroanatomy Practical\u201d<\/td>\n<\/tr>\n
Tim Craven<\/td>\n\u201cResearch\u201d<\/td>\n<\/tr>\n
Pat Daneman<\/td>\n\u201cPolly\u2019s Mother Sang Opera\u201d<\/td>\n<\/tr>\n
Darren C. Demaree<\/td>\n\u201c\u2019What the Fuck Are You Telling Me?\u2019\u201d<\/td>\n<\/tr>\n
Laura Dimmit<\/td>\n\u201cNBC Nightly News<\/em>, Live From Joplin\u201d<\/td>\n<\/tr>\n
Meg Eden<\/td>\n\u201cThe Excavation\u201d<\/td>\n<\/tr>\n
Timothy Geiger<\/td>\n\u201cThe Labor\u201d<\/td>\n<\/tr>\n
Ken Haas<\/td>\n\u201cGod\u2019s Widow\u201d<\/td>\n<\/tr>\n
Jeff Hardin<\/td>\n\u201cMy Life According to Little Proofs Assembled\u201d<\/td>\n<\/tr>\n
Kristen Hemmy<\/td>\n\u201cOn Considering Whether to Live in America: A Love Poem\u201d<\/td>\n<\/tr>\n
Cynthia Marie Hoffman<\/td>\n\u201c[I sing the alphabet]\u201d<\/td>\n<\/tr>\n
Amorak Huey<\/td>\n\u201cIn Praise of Charlotte Giattina\u2019s 1988 Monte Carlo SS\u201d<\/td>\n<\/tr>\n
Amorak Huey<\/td>\n\u201cThe Letter X & the Magic Act\u201d<\/td>\n<\/tr>\n
Dan Lambert<\/td>\n\u201cThe Gospel According to Rain\u201d<\/td>\n<\/tr>\n
Dan Lambert<\/td>\n\u201cStone Disguise\u201d<\/td>\n<\/tr>\n
Gary Leising<\/td>\n\u201cThe Girl With the JAKE Tattoo\u201d<\/td>\n<\/tr>\n
Gary Leising<\/td>\n\u201cHot Tub Scene\u201d<\/td>\n<\/tr>\n
Keegan Lester<\/td>\n\u201cNuminous\u201d<\/td>\n<\/tr>\n
Christopher Locke<\/td>\n\u201cHappy\u201d<\/td>\n<\/tr>\n
Christopher Locke<\/td>\n\u201cLate Return\u201d<\/td>\n<\/tr>\n
George Looney<\/td>\n\u201cDistance as Unreliable Narrator\u201d<\/td>\n<\/tr>\n
George Looney<\/td>\n\u201cInsomnia as Accomplice\u201d<\/td>\n<\/tr>\n
George Looney<\/td>\n\u201cWhat Can\u2019t Be Said, Ever\u201d<\/td>\n<\/tr>\n
Angie Macri<\/td>\n\u201cSpoon Flat, Ash Flat, Big Flat\u201d<\/td>\n<\/tr>\n
Nancy Carol Moody<\/td>\n\u201cCoffeehouse\u201d<\/td>\n<\/tr>\n
Nancy Carol Moody<\/td>\n\u201cFaith\u201d<\/td>\n<\/tr>\n
Richard Newman<\/td>\n\u201cGift Shop at the Gates of Hell\u201d<\/td>\n<\/tr>\n
Naomi Shihab Nye<\/td>\n\u201cBut What Happened to Her?\u201d<\/td>\n<\/tr>\n
Naomi Shihab Nye<\/td>\n\u201cComing Home From School\u201d<\/td>\n<\/tr>\n
Naomi Shihab Nye<\/td>\n\u201cHouses of Depression\u201d<\/td>\n<\/tr>\n
Naomi Shihab Nye<\/td>\n\u201cYou Have No New Messages\u201d<\/td>\n<\/tr>\n
Alan Michael Parker<\/td>\n\u201cLetter to the Buddha, Including an X-Ray of My Foot\u201d<\/td>\n<\/tr>\n
Ricardo Pau-Llosa<\/td>\n\u201cDidn\u2019t Last Long\u201d<\/td>\n<\/tr>\n
Ricardo Pau-Llosa<\/td>\n\u201cFriends\u201d<\/td>\n<\/tr>\n
Phoebe Reeves<\/td>\n\u201cFernald, Ohio\u201d<\/td>\n<\/tr>\n
Jenna Rindo<\/td>\n\u201cWhat Is Salvaged From My Son\u2019s First Buck\u201d<\/td>\n<\/tr>\n
Brandon Rushton<\/td>\n\u201cMaintaining the House of a Deceased Loved One Is a Paraphrasing of the Cinematic Inheritance of Grief\u201d<\/td>\n<\/tr>\n
Brittney Scott<\/td>\n\u201cThe Weight Aurora Carries\u201d<\/td>\n<\/tr>\n
Brian Simoneau<\/td>\n\u201cEach Pleasure\u201d<\/td>\n<\/tr>\n
Noel Sloboda<\/td>\n\u201cHollywood Cemetery (Richmond VA)\u201d<\/td>\n<\/tr>\n
Hali Fuailelagi Sofala<\/td>\n\u201cAnswering\u201d<\/td>\n<\/tr>\n
Hali Fuailelagi Sofala<\/td>\n\u201cClearing\u201d<\/td>\n<\/tr>\n
Eve Strillacci<\/td>\n\u201cPatrick Kane Dreams a Night Garden With Wild Horses\u201d<\/td>\n<\/tr>\n
Eve Strillacci<\/td>\n\u201cSuperstition\u201d<\/td>\n<\/tr>\n
Kellie Wardman<\/td>\n\u201cThis Yin and Yang Is Good for Something\u201d<\/td>\n<\/tr>\n
Gabriel Welsch<\/td>\n\u201cFaith\u201d<\/td>\n<\/tr>\n
Gary Wilkens<\/td>\n\u201cSurfing Near Pali Gap\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Nonfiction:<\/h5>\n\n\n\n\n\n\n\n
Allison Doyle<\/td>\n\u201cWho You Are\u201d<\/td>\n<\/tr>\n
Amaris Feland Ketcham<\/td>\n\u201cAfterthoughts of the Bloom\u201d<\/td>\n<\/tr>\n
Jody Reale<\/td>\n\u201cThere\u2019s No Telling\u201d<\/td>\n<\/tr>\n
Katy Resch<\/td>\n\u201cLoss\u201d<\/td>\n<\/tr>\n
Geoff Watkinson<\/td>\n\u201cFathers, Guns, and LSD\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Translation:<\/h5>\n\n\n\n\n\n
Benny Andersen<\/td>\n\u201cTo a trap\u201d (Translated from the Danish by Michael Goldman)<\/td>\n<\/tr>\n
Salgado Maranh\u00e3o<\/td>\n\u201cSea Drift IV\u201d (Translated from the Portuguese by Alexis Levitin)<\/td>\n<\/tr>\n
Santiago Vizca\u00edno<\/td>\n\u201cThe Storm\u201d (Translated from the Spanish by Alexis Levitin)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Interview:<\/h5>\n\n\n\n
Julia Greene<\/td>\n\u201cA Telephone Conversation With Naomi Shihab Nye\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Moon City Review 2013<\/em><\/h2>\n

\"Moon<\/a><\/p>\n

Fiction:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
James P. Austin<\/td>\n\u201cFirst Flood\u201d<\/td>\n<\/tr>\n
Matt Cashion<\/td>\n\u201cAwful Pretty\u201d<\/td>\n<\/tr>\n
Cherie Hunter Day<\/td>\n\u201cFlash to Bang\u201d<\/td>\n<\/tr>\n
Cherie Hunter Day<\/td>\n\u201cReparations\u201d<\/td>\n<\/tr>\n
Ryan Gannon<\/td>\n\u201cFive Unconventional Uses for Marshmallows\u201d<\/td>\n<\/tr>\n
Kelly Goss<\/td>\n\u201cIn Terms of a Whale\u201d<\/td>\n<\/tr>\n
Becky Hagenston<\/td>\n\u201cPuppet Town\u201d<\/td>\n<\/tr>\n
Conor Robin Madigan<\/td>\n\u201cOr on the Railroad\u201d<\/td>\n<\/tr>\n
Joe Meno<\/td>\n\u201cJanice Goes Swimming\u201d<\/td>\n<\/tr>\n
Joey R. Poole<\/td>\n\u201cThe Big, Scary Woods\u201d<\/td>\n<\/tr>\n
J. David Stevens<\/td>\n\u201cCapsicum\u201d<\/td>\n<\/tr>\n
Lindsay Tigue<\/td>\n\u201cPont-\u00e0-Mousson\u201d<\/td>\n<\/tr>\n
Court Walsh<\/td>\n\u201cNatasha on the Neva\u201d<\/td>\n<\/tr>\n
Gabriel Welsch<\/td>\n\u201cShouting the Names\u201d<\/td>\n<\/tr>\n
Mark Wisniewski<\/td>\n\u201cIntentions\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Poetry:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Jeffrey Alfier<\/td>\n\u201cBlack Hawk Crash, Tal Afar, Iraq, 2006\u201d<\/td>\n<\/tr>\n
Lori Brack<\/td>\n\u201cAn Overture\u201d<\/td>\n<\/tr>\n
Lori Brack<\/td>\n\u201cArt History\u201d<\/td>\n<\/tr>\n
Sarah Carson<\/td>\n\u201cAfter you wake\u201d<\/td>\n<\/tr>\n
Grant Clauser<\/td>\n\u201cNecessary Myths\u201d<\/td>\n<\/tr>\n
Heather Cox<\/td>\n\u201cI would be your contortionist.\u201d<\/td>\n<\/tr>\n
Heather Cox<\/td>\n\u201cLetter Left on the Cusp of Our Favorite Crater\u201d<\/td>\n<\/tr>\n
Heather Cox<\/td>\n\u201cOn the Moon, Every Month is December\u201d<\/td>\n<\/tr>\n
Chad Davidson<\/td>\n\u201cCasual Labor\u201d<\/td>\n<\/tr>\n
Trista Edwards<\/td>\n\u201cThe Light Bulb People\u201d<\/td>\n<\/tr>\n
D. Gilson<\/td>\n\u201cJimmy makes good coffee and I could sustain a whole library with (love) poems just for him\u201d<\/td>\n<\/tr>\n
Charity Gingerich<\/td>\n\u201cAfter June\u201d<\/td>\n<\/tr>\n
Charity Gingerich<\/td>\n\u201cBeauty Is a Mountain We See When Driving Our Car\u201d<\/td>\n<\/tr>\n
Charity Gingerich<\/td>\n\u201cConflict Is the Only Way to Intimacy\u201d<\/td>\n<\/tr>\n
Jeff Gundy<\/td>\n\u201cWaterfall\u201d<\/td>\n<\/tr>\n
W. Todd Kaneko<\/td>\n\u201cAin\u2019t No Cage Can Hold Mad Dog Sawyer\u201d<\/td>\n<\/tr>\n
W. Todd Kaneko<\/td>\n\u201cJunkyard Dog Says Everything\u2019s Gonna Be All Right\u201d<\/td>\n<\/tr>\n
Peycho Kanev<\/td>\n\u201cEternal Circle\u201d<\/td>\n<\/tr>\n
Gerry LaFemina<\/td>\n\u201cEmily Roebling\u2019s Rooster\u201d<\/td>\n<\/tr>\n
Gary Leising<\/td>\n\u201cA Sparrow in His Shopping Cart, Its\u201d<\/td>\n<\/tr>\n
Gary Leising<\/td>\n\u201cSquids Will Be Squids\u201d<\/td>\n<\/tr>\n
Michael Levan<\/td>\n\u201cSelf-Portrait in a Plywood Carnival Cutout\u201d<\/td>\n<\/tr>\n
Rick Marlatt<\/td>\n\u201cAn Apology for Not Waking You\u201d<\/td>\n<\/tr>\n
Rick Marlatt<\/td>\n\u201cThe Lesson\u201d<\/td>\n<\/tr>\n
Melanie McCabe<\/td>\n\u201cThe Mail\u201d<\/td>\n<\/tr>\n
Travis Mossotti<\/td>\n\u201cComing of Age With Aeschylus\u201d<\/td>\n<\/tr>\n
Travis Mossotti<\/td>\n\u201cTotem\u201d<\/td>\n<\/tr>\n
Jed Myers<\/td>\n\u201cUp from LA\u201d<\/td>\n<\/tr>\n
R. Elena Prieto<\/td>\n\u201cSkyview Lake, Fourth of July\u201d<\/td>\n<\/tr>\n
J. Gabriel Scala<\/td>\n\u201cOn Choosing Childlessness\u201d<\/td>\n<\/tr>\n
David Shumate<\/td>\n\u201cChumming Around with Hemingway\u201d<\/td>\n<\/tr>\n
David Shumate<\/td>\n\u201cThe Executioner\u201d<\/td>\n<\/tr>\n
David Shumate<\/td>\n\u201cLincoln\u201d<\/td>\n<\/tr>\n
Erin Elizabeth Smith<\/td>\n\u201cAlice in Knoxville\u201d<\/td>\n<\/tr>\n
Sarah Wangler<\/td>\n\u201cBeatrice\u201d<\/td>\n<\/tr>\n
Francine Witte<\/td>\n\u201cProbably\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Nonfiction:<\/h5>\n\n\n\n\n\n\n
Neil Mathison<\/td>\n\u201cDodd Narrows\u201d<\/td>\n<\/tr>\n
Ren\u00e9e K. Nicholson<\/td>\n\u201cIn Sickness\u201d<\/td>\n<\/tr>\n
Chris L. Terry<\/td>\n\u201cThe Gleam\u201d<\/td>\n<\/tr>\n
Benjamin Vogt<\/td>\n\u201cPinus, Acer, Salix\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Translation:<\/h5>\n\n\n\n\n\n\n
Carmen V\u00e1scones<\/td>\n\u201cMute\u201d (Translated from the Spanish by Alexis Levitin)<\/td>\n<\/tr>\n
Carmen V\u00e1scones<\/td>\n\u201cPanoptico\u201d (Translated from the Spanish by Alexis Levitin)<\/td>\n<\/tr>\n
Carmen V\u00e1scones<\/td>\n\u201cResistance of the Flesh\u201d (Translated from the Spanish by Alexis Levitin)<\/td>\n<\/tr>\n
Carmen V\u00e1scones<\/td>\n\u201cVault\u201d (Translated from the Spanish by Alexis Levitin)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":"

Moon City Review 2026 Moon City Review 2025 Fiction: Abbie Barker \u201cPast Encounters With My Future Selves\u201d Andrew Bertaina \u201cGravity\u2019s Death Throes\u201d Jake Bienvenue \u201cThe Good Sense to Fail\u201d Sarah Boudreau \u201cThe Other Coast\u201d Brianna Di Monda \u201cBone Garden\u201d Matthew Duffus \u201cHiatus\u201d Claire Hero \u201cIn a Stranger\u2019s House\u201d Sydney Koeplin \u201cThe Nose Thief\u201d Melanie Pierce … Continue reading Archives<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-80","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.mooncityreview.com\/index.php?rest_route=\/wp\/v2\/pages\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.mooncityreview.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.mooncityreview.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.mooncityreview.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mooncityreview.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=80"}],"version-history":[{"count":10,"href":"http:\/\/www.mooncityreview.com\/index.php?rest_route=\/wp\/v2\/pages\/80\/revisions"}],"predecessor-version":[{"id":2662,"href":"http:\/\/www.mooncityreview.com\/index.php?rest_route=\/wp\/v2\/pages\/80\/revisions\/2662"}],"wp:attachment":[{"href":"http:\/\/www.mooncityreview.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}